Tag: my work

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I’m moderately active on Twitter and Facebook. I post photos on both Flickr and Instagram. I try to keep my profile reasonably up to date on LinkedIn. I even use Google Plus. I hate all these things.

(Actually, I don’t hate Flickr—it’s pretty good.)

There are a lot of things I hate about them, beginning with big corporations deciding which ads appear next to my words (not to mention keeping the money from those ads). I also hate the way they keep making their services worse (the needs of the venture capitalists outweigh the needs of the users). But the worst thing is: I can’t find stuff I remember writing!

“Oh, yeah—I put that one on Facebook.”

“Oh, yeah—that one was a tweet.”

“Oh, maybe I wrote that back when I had my LiveJournal going?”

My partial solution, for a while now, has been to put almost everything—all but the shortest bits—on my own blog. Then I link back to them on Twitter and Facebook and Google Plus. That’s still unsatisfactory in several ways, but especially for those short bits—tweets and Facebook posts—that don’t get their own blog entries.

There’s no good solution. My blogging software supports “asides” or “status” posts which are supposed to be for things like Twitter or Facebook posts. I used those briefly, and didn’t like it. Those little posts cluttered up the main flow of my blog. Worse, different blog themes displayed them differently. (Maybe I’ll try posting an “aside” or a “status” again after this post, and see if they’re better now.)

I even considered setting up a Diaspora node for a while, and then arranging to have things I posted there flow out to Twitter, Facebook, and Google Plus. Then at least everything I posted would be just one of two places (my website and my Diaspora node). That turned out to be too much work.

Just yesterday I ran across something that may go some way toward solving this problem: Indie Microblogging: owning your short-form writing, which I have backed on Kickstarter (video below).

I don’t yet know if it will solve my problems, but I’ll try it out and see if it works.

One key feature of the Indie Microblogging thing that makes me think it might be satisfactory is that it’s built on RSS. (The fact that it provides RSS feeds is the reason I don’t hate Flickr, and the fact that they don’t is a big piece of what’s wrong with Twitter, Facebook, and the rest.)

Anyway, check out Indie Microblogging, and see if it’s something of interest to you, too:

https://www.kickstarter.com/projects/manton/indie-microblogging-owning-your-short-form-writing/

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I made very little progress on fiction this year, which is okay.

In years past I was kind of defensive about my lack of fictional productivity—I think because I’d bought into the idea that a fiction writer writes fiction, and if I’m not writing, maybe I’m not a fiction writer anymore. But my experience is that making myself write something that I don’t want to write is no fun, nor is it particularly productive.

So of late I’ve just gone with it. On days that I feel like writing fiction I take a stab at something—I’ve started two new stories and worked on several old ones over the course of the year, in addition to working a little on the novel. Essentially none of that work has borne fruit in the sense of producing a finished story, but none of it was wasted either, in the sense that I did it because I wanted to, and only kept at it as long as I was enjoying it.

I don’t know whether I wrote more or less because I gave myself permission to write only when I wanted to, but I definitely enjoyed it more.

I did a bit more writing for Wise Bread this year, all concentrated toward the end of the year. Posts that appeared in 2016 were:

I’m pretty pleased with all of those. The first one did quite well in terms of reads, getting a pretty good response to my tweet “It bugs me when people mock millennials for not following the game plan that worked for the boomers.”

As a bonus, none of them is a listicle.

I wrote a typical amount here on this blog, averaging perhaps a post a week.

A big reason I didn’t do more writing this year is the amount of time I spent doing other things. I spent a little more time this year than in recent years with the local Esperantists. Jackie lured me into joining her on some of the volunteer stewardship work days she’s doing as part of becoming a Master Naturalist. The biggest was movement—that will get its own “Movement in 2016” post.

As a side note here, because although it’s not writing it is a creative endeavor, I bought myself a drawing tablet for the computer. (I got a medium Wacom Intuos tablet.) I’ve produce my first painting with it, and a second is almost done. I’m thinking I’ll share paintings here on the blog from time to time, but I wanted to get these 2016 review posts done first.

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I don’t normally suggest a soundtrack for posts, but for this one I recommend that you listen to Da Vinci’s Notebook singing “Kingdom in the Sky.” Open that link in another tab and let it play while you read.

For almost ten years now I’ve been writing about personal finance and frugality for the website Wise Bread. A few months ago, the founders emailed the senior writers to say that to celebrate their 10-year anniversary they were inviting all of us who started in the first year, together with our families, to Disneyland.

What a great gift! Jackie and I flew out last week, spent two nights in the Disneyland hotel, and spent two days in the theme parks.

Even better than the theme parks was the chance to meet the admins, some of the other writers, and the Wise Bread staff! These are people I’ve been working with for 10 years, but had never met except through their posts and email messages.

Nice swag bags were delivered to our room—snacks, Disney name tags and lanyard wallets, big Disney insulated cups, and heavy-weight hoodies with both the Disney and Wise Bread logos. Mine also had a Mophie powerpack! (There’s a local-to-my-hometown connection between Mophie and Kalamazoo which this an especially welcome gift, totally aside from the fact that my old Motorola powerpack had given up the ghost just before this trip, which meant that I really needed one.)

We also got a pair of 2-day hopper passes for visiting the theme parks!

img_20161203_073927848_31246881652_o
Some of the gifts from the Wise Bread admins

The evening we got there was the staff/editor/writer dinner at the Catal restaurant in downtown Disney. Jackie and I ended up sitting down at the end of the table with the editors Janet and Lars and their spouses, and enjoyed much fascinating conversation all through dinner. (Also a nice—if rather young—pinot noir that Lars somehow managed to end up paying for despite everyone else’s best efforts.)

Around the middle of the evening, Lynn (one of the founders) called me to join her closer to the middle of the table so she could make a little speech thanking all us writers for joining Wise Bread and sticking with it all these years, and giving us each a “gift appropriate for a writer” which turned out to be the Mont Blanc pen in the photo above. What a generous and appropriate gift!

(A photo of that moment was posted to instagram—I tweeted it—but it seems to have vanished. My tweet no longer even has the link to where the photo used to be. What’s up with that? If it resurfaces, I’ll post it here.)

The next morning was breakfast at Goofy’s Kitchen—a breakfast buffet with Disney characters posing for photos and parading through the dining rooms. We sat at the same table as Will, who had some very kind things to say about me to Jackie.

Jackie in Goofy's Kitchen, with Minnie.
Jackie in Goofy’s Kitchen, with Minnie.

We spent the rest of the morning at the Disneyland theme park (having done the California Adventure theme park the previous afternoon).

Me with the Cheshire Cat in Disneyland.
Me in my Wise Bread/Disney hoodie with the Cheshire Cat in Disneyland. Photo by Jackie Brewer.

After various rides and attractions and lunch (and a good bit of walking—important to Jackie and me), we decided that we were about theme-parked out, and decided to spend the warm part of the afternoon walking in the gardens outside the hotel and sitting by the pool. Jackie wrote some postcards.

We took a bunch of pictures, some of which are good enough to share. I gathered those in a Flickr album I called #wisebread10thdisney after the hashtag the admins wanted us to use for our Instagram posts. (Or you can go to that hashtag at Instagram and see everybody else’s photos along with those of mine that ended up on Instagram.)

However, I got one particularly good shot of Jackie and me that I wanted to share:

Selfie with Jackie and bamboo.
Selfie with Jackie and bamboo

How much fun were Jackie and I having at Disneyland? This much fun.

Thanks to the admins at Wise Bread! Hey, shall we do our 20th anniversary celebration at EPCOT?

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Just from her title I was pretty sure that Christa Whiteman’s post Living simply: reclaiming sanity + authenticity would be right in my sweet spot, and I was not surprised to find more than a little overlap with what I’ve been saying for years at Wise Bread. I’ve talked about living a life of “luxury and splendor,” but recovering our “original opulence” sounds good too.

Christa suggests three starting places: food, movement, and stuff—adding that the proper course to take is a spiral, coming around to the same points over and over. She is right—where you start means little—and yet, her course is so completely different from my own I thought it might be worth pondering those differences to see if they told me something useful about what I’ve been doing, and about how I’ve been writing about it.

As anyone who has read my work at Wise Bread knows, I’m all about the power of frugality as a tool for living a life of full of exactly what you most want: Basically, I started with the “stuff” piece. I probably have a hundred articles on various aspects of figuring out the difference between needs and wants, covering your actual needs, identifying and focusing on those few wants that matter most deeply to you, and dealing with others who care how you satisfy your wants.

I wrote quite a bit about food, too—about how to eat at the intersection of cheap and healthy. I’ve just now reread a few of those posts and I’m pretty pleased with them, even if I’d write them differently now.

Christa’s third piece is about movement, and that is where my writing at Wise Bread falls short. In fact, I’ve really got exactly one post that’s right on topic. The editors gave it the unfortunate title of Get a Great Workout for Free With 11 Simple Moves, but it’s straight-up natural movement advocacy. Before that, I had some good stuff on how walking and bicycling for transportation were frugal and healthy, but it had a pretty limited perspective.

I think I need to write some more pieces on both food and movement for Wise Bread. I can certainly write a new Wise Bread post on how to eat paleo on the cheap. (Not that I eat a paleo diet, but there’s a lot of overlap between what’s expensive in my diet and what’s expensive in the paleo diet.) Maybe I can also write some more movement pieces. What should be the focus, I wonder. The frugality of natural movement for exercise? The frugality of staying healthy? Or the luxury and splendor of being a fully capable human? I guess I’ve done that first one. Hmm.

Anybody who talks about natural movement needs a picture of themselves squatting on a fallen tree in the forest.
Anybody who talks about natural movement needs a picture of themselves squatting on a fallen tree in the forest.

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For various reasons, my fiction output has been small.

I didn’t finish the novel, which a year ago I thought was nearly done. What happened was that, as my rewrite approached the end, I realized that the end I had was totally wrong for a novel.

The ending in the zeroth draft was full of implications, which can work great in a short story—the reader ends up knowing that things are going to go a certain way, without the story actually walking them through all the scenes to get there.

A novel is different. Those scenes should be there. As as I started to write them, I realized that things would not go as I’d implied they would. So I would have to figure out the new ending, and write it, and then go back and change a whole bunch of stuff that had set up for the ending I’d previously implied so that it instead would set up for the ending I ended up with.

I haven’t given up on any of that stuff, but I haven’t done it yet either.

I’ve played around with several short stories, but only finished one. It got some pretty good comments from the Incognitos, but I didn’t come away with a good plan for finishing it and submitting it to editors.

I should finish it and submit it. It’s clear in my own mind that no simple rewrite would make it a much better story, so I should just fix the few minor things that readers spotted and get it out to markets—they’ll either buy it or they won’t. But I haven’t yet.

I’ve written quite a bit here on my blog. Since the posts are all right here, I won’t bother linking to them, except to say that my story structure article continues to get the most visits by more than an order of magnitude, and that my post Katy Bowman: The Michael Pollan of movement was by far the most visited this year (because Katy shared it on her Facebook page).

I published three articles at Wise Bread:

Only one of  these articles is a flat-out listicle (which almost everything that Wise Bread publishes these days is), so I consider that a win.

I pitched several other pieces that I think would have made great Wise Bread posts. A couple got turned down by the editors, and a couple got send back with the suggestion that I somehow turn it into a listicle, and I declined to write the article along those lines.

It’s my smallest output at Wise Bread since I started writing for them, but that’s okay. I’ve said most of what I have to say on frugality and personal finance.

My income from writing for Wise Bread is down a lot, but has—much to my surprise—been replaced to a considerable extent with money for teaching taiji.

Taiji (and movement in general) have become more important these past few years, to the point that this year I almost changed the title of my annual review post to “Writing and movement in 2015.” Instead, though, I think I should write a “Movement in 2015” post, which might become an annual tradition of its own.

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I haven’t published any fiction this year, but I did finish the zeroth draft of a novel.

I hesitated to claim this milestone, holding out for a proper first draft that I can share with a few select first-readers. But the end of the year has arrived and my novel remains (as it has been for several months now) this close to being a first draft. Still—a zeroth draft is something.

We moved. Granting that moving is not writing, and acknowledging that this post is where I review my writing in 2014, I’m still going to mention the fact, because moving takes so much time and effort. And we didn’t just move once. We moved three times: To our summer place, then to our winter palace, and finally to Winfield Village. Because of that, I totally gave myself a pass on productivity for the summer and fall.

However, I officially revoked that pass as of the solstice. I really, really want to get the novel out for people to read, and the only way to do that is to work on it every day. To that end, I’m back to working on it daily—and did in fact work on it every day for the last 10, except that I gave myself Christmas Day off (hat-tip to ol’ Ebenezer).

I’m actually quite confident that I’ll get the novel done (that is, in a proper first-draft state) in fairly short order. Confident enough that I’ve started to do trivial stuff, such as tweaking the formatting. (I’m assuming that most of my first-readers will want an ebook, rather than paper, so I’m fiddling with Scrivener’s ebook generation parameters. When I finish, I want to be able to generate a book right away, and not have to spend three days on ebook configuration to get what I want.)

I did a few other small bits of fiction writing. In particular, I wrote a very short story in Esperanto and submitted it to the UEA Belarta Konkurso. It didn’t win a prize, so I should follow up by submitting it to some Esperanto literary magazine, but I haven’t done that yet.

I wrote a lot less for Wise Bread than I have in past years, but they did publish 6 of my articles:

Very late in the year, that last article got featured on Business Insider as The Simplest Way to Live Simply and Cheaply.

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It kind of snuck up on me. I hadn’t realized how close I was to being done with an entire draft.

After a couple of awkward starts, things had been going along pretty well until about spring. That’s when I started drawing more directly from the text of the short story that had been the basis of the novel, pulling the scenes from the short story and slotting them into the right spot in the climax of the novel. Except that process went very badly. They didn’t fit well. The tone was wrong. The characters had drifted. I kept finding small off-hand remarks to set up some thing or another, and realizing that in a novel there should instead be a whole earlier chapter to set that thing up. I kept finding that once I’d written those scenes, there was nothing left of this scene. It was such a struggle, I became discouraged. Progress ground almost to a halt.

A couple of times I got back to it, grabbed a scene, and reworked it—deleted the one-line remark and added the earlier chapter, reworked the interactions so that the characters were true to how they’d developed in the novel up to there, added full-blown scenes where the short story version had just had a brief reference that the hero had done something. But I found all that work hard and not much fun, so I kept not doing it.

Since moving to the summer place, I’ve been trying to reestablish a habit of daily writing, figuring that it should be as easy right now as it will ever be.

Today is my birthday, which I took advantage of by choosing to set my schedule exactly as I wanted—I got up, did a little social media stuff, had breakfast, read a little, then sat down to do some writing. I spent a good long while on one scene, because it had a lot of compressed action that needed to be more fully worked out in a novel-length work. Then the next scene went very quickly, because it was short, and then the next scene went quickly, because it was just about right in terms of tone and character. And then I realized that it was the last scene! I had finished my novel!

There’s a whole lot left to do, of course.

Although I tried to get the set-up stuff inserted as I went along, a lot of it is missing, or only present in vestigial form. I have to fix all that.

Probably a bigger deal, there were many little clever bits that might have set up something neat, but didn’t, and many short turns down side roads that seemed cool, but that didn’t end up leading anywhere. I need to locate each of those and think about whether it does lead somewhere—and then make sure that the “somewhere” it leads to is actually in the text and not just in my imagination. The others, of course, need to be ruthless pared away.

Most important, in the writing of the book I’ve finally figured out what it’s about. That too needs to end up in the text, and not just in my head. In particular, there’s a lot of economic and political stuff that kept showing up in my brain to be stuffed in the book, but didn’t all show up at the right points, so ended up getting stuffed willy-nilly into whatever corner happened to have a bit of space in it at the moment. Those bits need to be pulled out and carefully tucked into the right corner, now that I can see the whole thing and can figure out where they really go.

So, a lot of work to do—but it will be a lot of work on a novel! A novel that exists! A novel that I have written!